David Brenner, the movie supervisor who won an Oscar for Oliver Stone’s Born on the Fourth of July, one of nine films he cut for the chief, has kicked the bucket. He was 59.
Brenner passed on out of nowhere Thursday morning at his home in West Hollywood, his better half, Amber, told The Hollywood Reporter. He had been working at home on James Cameron’s Avatar spin-offs for about a year, altering film shot in New Zealand. “We were hanging out a lot,” she said.
Notwithstanding Born on the Fourth of July (1989) – he imparted his Oscar to co-supervisor Joe Hutshing – Brenner joined forces with Stone on Platoon (1986), Salvador (1986), Wall Street (1987), Talk Radio (1988), The Doors (1991) – one of his undisputed top choices – Heaven and Earth (1993), World Trade Center (2006) and Wall Street: Money Never Sleeps (2010).He altered Zack Snyder’s 2017 unique and last year’s 242-minute rendition of Justice League subsequent to teaming up with the chief on two other superhuman movies: Man of Steel (2013) and Batman v Superman: Dawn of Justice (2016).
For Roland Emmerich, Brenner cut Independence Day (1996), The Patriot (2000), The Day After Tomorrow (2004) and 2012 (2009). He worked with James Mangold on Kate and Leopold (2001) and Identity (2003), with Rob Marshall on Pirates of the Caribbean: On Stranger Tides (2011) and with Timur Bekmambetov on Wanted (2008).
In a 2021 meeting distributed on ProVideoCoalition, Brenner said that his objective in altering a film was generally something similar, regardless of whether a tentpole or a more modest film.
“The colossal elements might have elaborate activity scenes including a ton of film and a ton of CG, which brings a large group of publication challenges. They oftentimes additionally have complex storylines with many intertwining characters, which the proofreader needs to follow, knead, make stream and peak,” he said.
“Yet, this is actually how the editorial manager should manage numerous more modest movies. … So, regardless the spending plan or scale, as the proofreader, you’re simply attempting to get the story and characters to work. Regardless of whether it’s a $200 million activity film or a $20 million workmanship house film, you’re actually attempting to get the film to play.”
He added: “I like to continue to slice until you get to a form where you and the chief feel it’s excessively close. Where you feel, ‘That was too quick, that was too short, this is difficult to follow, this isn’t handling.’ It’s great to arrive at this point since you realize you’ve crossed the cutoff. Presently you disengage these over-close minutes and returned some air to them.”Born in Hollywood, Brenner went to North Hollywood High School and Stanford prior to filling in as an apprentice manager on the 1985 film Radioactive Dreams. As an associate on Salvador, Platoon and Wall Street, he was guided by British film editor Claire Simpson.
Brought into the world on the Fourth of July was just his second component as a film editorial manager, and winning an Oscar for that was “insane, surreal,” he said a year ago.